Friday, May 22, 2009
Well, I'm sad to say that the review of EWF's Grattitude, the famous live recording, staple for silent storm format radio DJ's, hip-hop producers, and lovers of all things tuneful and funky, has been postponed until I locate the vinyl. You see, I found the cover, only to discover that there was no LP in there. I know that the record must be missing in action, placed in the wrong cover, or otherwise misplaced somewhere in my collection. It's too bad, since I really did want to review this one, and also was craving to listen to it (anything I review is listened to start to finish, track by track, all the way through). Preferably on vinyl, not CD or itunes.
For now, I will settle on listening to Open Our Eyes, a studio album which displays the deft combination of jazz chops, soulful hooks, gospel influence and free spirited, but tight, musical experimentation that EWF was known for back in their heyday.
2004 Emmanuel Houillon Arbois Pupillin
I don't recall if I am listing this wine properly, because as many of you already know, Houillon took over the estate from his mentor, Pierre Overnoy, and both names are mentioned on the bottle (sometimes). Houillon works completely SANS SOUFRE (sulphur free). Yes, it can be done people... Anyway, this is Savagnin at its piercing, achingly acidic, and, with some air, fleshy, nutty, intriguing best. Not as much sous voile influence as, say, the '05 Montborgeau L'Etoile, but definitely a little more nutty, savory character than the '04 Domaine de la Tournelles Savagnin, which is also very tasty Savagnin, by the way. If you appreciate clarity, precision, intensity and ACIDITY in white wines than Savagnin is basically the shit. I need to drink more of the stuff.
For some interesting discussion on the intriguing wines of Houillon, Overnoy, Houillon/Overnoy, or however you choose to refer to this Jura estate, see here.
Of course, I'd be remiss to not point you over to G's direction.
Oh, and for those with French language skills and/or aspirations, and a taste for the dramatic, here.