Do Ferreiro Cepas Vellas Vertical

Roadside lunch, Galician style: caldo gallego, bread, and the house wine (unfortunately, not Do Ferreiro)

This was fun. One of the tables at De Maison Selections' recent San Francisco trade tasting featured the wines of Do Ferreiro, poured by winemaker Gerardo Mendez. Of particular interest was a vertical of Do Ferreiro's Cepas Vellas, their famed single vineyard bottling produced from a 200 year-old (yes, 200!), one hectare vineyard composed of sandy, broken down granite, sitting very proximate to the ocean. The 2007 was all lime and brine, intense and impressive. 2006 was a totally different animal, very saline but smoky as well - almost Islay in Galicia type smoke. 2005 was broad and ripe, but still fresh, though the 2004 was as ripe but with better acidity - the most generous, expressive, and delicious wine of the tasting.

I asked Gerardo which was the oldest vintage of cepas vellas he had recently drunk and he told me it was the 1999, which still showed very fresh and lively. I'm not surprised. And I'm not sure if better albariño is being made anywhere else in Rias Baixas. Do not look for the 2008 Do Ferreiro Cepas Vellas as it does not exist; extensive hail damage destroyed much of the fruit. However, when the 2009 is released next year, I think I might have to grab some and start my own vertical.

Site vs Elevage

A view down to the barrel rom at Cune's Viña Real winery in Laguardia, Rioja Alavesa

I attended a seminar this morning titled, "Tempranillo: Site vs Elevage." It preceded a De Maison Selections trade tasting, and was conducted by the erudite, always interesting Andre Tamers. You may recall that he was one of the people I had briefly interviewed last year for a piece on the state of Spanish wine. Without getting into too much detail, Andre pointed out that Rioja was traditionally based on the premise of house style, a la Bordeaux, or even more so, Champagne. Just as in Champagne, in Rioja there are some larger companies who both grow their own grapes as well as purchase fruit from all over the D.O. Then, different bodegas have different methods of vinification and aging; traditionally in a slightly oxidative manner involving extended aging in American oak, a few rackings a year, and bottle aging. In Andre's view, this type of blending and aging process creates wines that are overly oxidized and lack individual personality. OK, he did not explicitly say that so as to let attendees make up their own minds, but reading between the lines (as well as tasting through his Rioja portfolio) that is most likely where Andre stands.

Perhaps, according to Andre, the future of Rioja lies not in a bodega's skill at blending fruit from different sites, even different sub-zones separated by many kilometers (as has been the traditional model) but rather in estate bottled, village and vineyard designated wines. As Andre said, "Gevrey doesn't taste like Chambolle. " That is obviously due to differences in soil types, climate, aspect and a whole host of other factors - in short, terroir, or "terruño" in Spanish.

So the point was to show 3 flights of Rioja of various ages (joven, crianza, and reserva) based on which villages the wines were from, and to try to taste the different character of each site. Thing is, though, it was very difficult to do this given, you guessed it, the wine's dramatically different elevage. Was the 2005 Viña Real Crianza's spicy, strawberry fruit characteristic of Tempranillo from Laguardia, or of fruit that is perhaps picked a bit earlier than is fashionable these days? And the sweet, black cherry and fruitcake flavors of the 2006 Luberri "Biga" Crianza were because the wine's fruit hails from Elciego, or due to the French oak, some of it new, and possibly other methods in the winery? Maybe the grapes were picked later and riper? There was at least one surprise as well, at least in terms of fruit sourcing for the 2005 Bodegas Muga Reserva. Andre had picked it to show what a Tempranillo based wine from Haro tastes like, though it turns out that one of his producers disputed the grapes exclusive Haro, Rioja Alta provenance, as he regularly sees the Muga truck in villages in Rioja Alavesa.

As with any academic learning experience, far more questions were generated than answers. Some questions I pondered after the tasting:

Is extended aging in American oak, when well employed with good quality fruit, an intrinsic part of Rioja's terruño? Is that a good thing?
Is it realistic for Rioja, which lacks the tradition of village and vineyard branded wines practiced for centuries in Burgundy, to try to re-brand itself in this way?
Why is Rioja either traditional or modern?
Is anyone experimenting with different sizes of oak for aging and fermenting, larger foudres for example? Or perhaps new barrels without any toast?
Is 100% tempranillo based wine from Rioja the best vehicle to express the region's diverse terruño, and is it the best path to take for the region's many crianza and reserva bottlings?
What constitutes good, reasonable and attentive farming and viticultural practice in Rioja versus elsewhere?

Thank you to Andre Tamers of De Maison Selections, as well as his staff and the folks from Estate Wines for putting this together. In particular to Andre, whose knowledge of Spanish wine country, paired with a real curiosity and sense of humility, made for a terrific seminar which emphasized learning about a region over merely pushing product.

My 1/4 of a day spent at the Ten Bells in New York City

Shit is getting a bit boring over here. Yes, I'm calling myself out on the lack of excitement of late. There is no academic rigor a la Jules Chauvet discussion. No antagonistic comments back and forth between high profile NYC sommeliers and high profile blogger and wine forum participants regarding the merits of orange wine. Just a feeble bunch of weekly to twice weekly posts over the last few weeks about what I don't quite remember because me, I'm as bored as you probably are.

So, what better than a good old rambling post about that institution of natural wine bars in New York, The Ten Bells, enjoyed in the company of cool knowledgeable wine people, opinionated folks who love to drink. Incidentally, that's what it's all about - drinking. Food is good, potentially delicious. Ditto wine. Together they can either fight, exist in relative harmony, or fit hand in glove in a special, delicious, symbiotic existence. Most often the middle descriptor is apt. So, I say, let the wine speak on its own merits, and do not hesitate to drink wine without food!

Prior to the big Kermit Lynch tasting at Chambers Street, McDuff, Natalie and I attended a casual tasting of wines from the Loire et Cher imported by Louis/Dressner at the Ten Bells. Several producers were present to pour their wines. The event was probably the most low key, relaxed trade tasting environment in which I have ever been. Whether due to our arrival earlier on in the tasting, the relaxed demeanor (persistent jet lag?) of the producers, or the City's conservation of energy leading up to Halloween festivities, things were mellow. Which was fine- mellow works well for wine tasting. We started out tasting Sauvignon Blanc, Gamay and Cot from the Clos Roche Blanche, except they weren't made by Catherine Roussel. Rather, it was made by Noella Morantin, who rents some of CRB's vineyards. They were all tasty, though the 2008 Morantin Gamay Mon Cher was a particular favorite - I've a soft spot for tangy red fruit. Next it was off to Olivier Lemasson's table to taste Les Vins Contés wines. I do enjoy both of these, both the focused P'tit Rouquin Gamay and the deep, mineral Cot. Next, a new producer (I think) for Dressner in Cour Cheverny, Domaine du Moulin. OK, not great. Romorantin better than the Cheverny Rouge. From there we tasted a few Puzelat wines: the '08 "Rouge Est Mis" Pinot Meunier which was a juicy, fun drink to be sure. It was a wine I had a tough time spitting. Finally, we tasted the 2008 Clos Roche Blanche 'Pif,' the blend of Cabernet (Sauvignon and Franc) with Cot. It's a bit tough and tannic now, and needs at least 6 months to a year to show better.

Fast forward about two hours, after we had been to the Kermit Lynch tasting, when we returned to The Ten Bells to drink (not taste) some wine. With a few tasty bites on the table (salmon tartare, beef tartare, squid and seaweed salad, and others) we drank the following (all magnums, no "half bottles"):

2007 Puzelat "La Tesniere" Touraine (Menu Pineau/Chenin) - As fresh, cutting and palate awakening as ever. Perhaps a bit more generous than what I expected, compared to the piercingly acidic Brin de Chevre.

2006 Domaine Henri Milan Le Grand Blanc

A blend of Grenache Blanc, Rolle (Vermentino), Chardonnay, Roussane and Muscat, this is actually similar to the blend in the wine which I thought this was, the Chateau de la Tuilerie (thanks again for the correction, McDuff). There is a minerality and freshness to the wine (in addition to the nutty/sweet oak and fatty texture) that suggests some pretty excellent terroir here near Avignon, France. Marl and limestone in your soil doesn't hurt your chances of producing interesting wine.

2007 Dard et Ribot 'K' Crozes Hermitage Blanc
Fun and pure fruited, but I didn't give it a whole lot of attention. I suspect that it will never taste as good as it did with pig ears salad at La Verre Voleé.

2008 Puzelat Pinot Noir Touraine
I thought I had ordered "La Tesniere," but it in fact was this Pinot Noir. Competent and quaffable if a little bit lacking in excitement compared to the vinous company surrounding it.

2008 Houillon/Overnoy Ploussard (aka 'plou-plou'; 750ml)
Tense, tight berry fruit which I liked but clearly needs some more months and ideally years to show better. As this was only a "half bottle" it was not plentiful so it came and went fairly quickly amongst us eight.

1989 Olga Raffault Chinon "Les Picasses" (750ml)

Not the wine I wanted it to be. Don't you hate when that happens? Very softly textured, with fully resolved tannins and full on tertiary wet tobacco development. Somewhere there was some fruit but not with enough vibrancy to keep me interested.

Late night we headed to Casa Mono, Mario Batali's ode to the Spanish tapa, where it was packed and we were directed next door to Bar Jamón, something of a 'B' team designation amongst these two establishments. Especially given the quality of the tapas, which were mediocre at best. My memory of Casa Mono three years ago is that of a much stronger restaurant putting out much fresher and more lively food than what we ate at Jamón. Other than jamón, I don't remember what I ate at Bar Jamón, partially my jet lag, but more owing to the lackluster cocina. C'mon, Mario, the people deserve better.

Overall it was a fun night in the big city, though I don't recommend putting in a 20 hour day following the California to New York red eye.

Notes from Dressner Tasting last week

Mr. Joe Dressner (?)

Now this was my kind of trade tasting. Held in the kitchen of Dressner's west coast rep's Castro home, with a manageable amount of wines to taste through and a friendly group of like-minded wine people. Thanks to Mr. Dressner and Shawn Mead for putting this tasting together.

2007 Lemasson Gama Sutra VdT

100% tasty gamay. This Puzelat protege clearly knows what he's doing.

2007 Lemasson Cheville de Fer

Cot. Deeper and more intense nose. Tangy mixed berries over a very smooth, elegant texture. Less earthy than the wine above, and a bit more heft. Delicious young cot - tasty now but will surely gain complexity over time.

2007 Cascina Tavign Grignolino d'Asti

Excellent. Pure cherry essence with wonderful acidity and loads of freshness. Grignolino as good as this is way too easy to drink (not necessarily a bad thing).

2006 Noussan Torrette Val d'Aoste

Mixed berry and dark fruit skins. Good flavors and focus here. Reasonably bright for a Torrette, which can sometimes be a bit darker and slightly chewier.

2005 Gioia de Colle Primitivo

My notes read simply, "Berry. Dusty cocoa. Best primitivo I've had." Ceri Smith, proprietor of the terrific San Francisco Italian wine shop Biondivino, shared my sentiments, saying that it was primitivo she actually liked. Couldn't agree more.

2005 Gioia Antello del Murge

More intense and brambly. Interesting. A touch more earthy complexity as well.

Massa Vecchia VdT Rosso (vintage?)

I have heard a lot about this wine. Maybe I'm just not ready for it; perhaps it's too 'challenging.' Regardless, I found the aromas to be very heady and intense. Macerated cherries on the palate, a touch of CO2, and the sans soufre/minimal sulphur nutty aftertaste I seem to be picking up with increasing frequency in some natural wines.

2006 Malescondo Rosso di Montalcino

Very intense, earthy, tangy red fruit. Some tuscan savor as well. Quite good.

2005 Malescondo Chianti Classico

More intense flavors. Darker fruits and fruit skins. Slightly raisinated nose and more assertive tannins, but all balanced and truly delicious.

Back to the French wines...

2007 Puzelat Tesnieres (Pineau d'Aunis)

Classic white pepper and wild strawberry nose, leading to vivid blue and purple fruit flavors. A true original, and very fine.

2007 Tue Bouef Cheverny

Light, earthy gamay. Tasty and decidedly thirst quenching bistro style wine.

2006 Descombes Brouilly
This is serious cru beaujolais; don't let the Brouilly cru designation fool you. Intense raspberry and blackberry on the nose lead to a palate of of lively mixed fruit, with great intensity and unique savor.

2006 Descombes Morgon
Damn, this is good. A good bit more tightly wound than the Brouilly and in want of long decanting or opening a night before consumption. Even better, stash it away for several years. Very dense, explosive berries, but as I mentioned, decidedly stern. It's not showing close to everything it's got to offer.

2007 La Guillaume Monpertuis

'Poopy red berries,' on the nose, according to my notes. Light, dilute, and perhaps too sans soufre-y for my taste.

2006 Ca de Nocci Sottbosco Ca de Roci
Emilia Romagna sparkler. 50% lambrusco grasparossa, 30% lambrusco maestri, 20% malbo gentile. Dark. Tastes like a sparkling Loire cot might taste if they made such a wine (maybe someone out there does?) Nice gripping tannins on finish. This wine makes me hungry for hearty Italian cuisine, of the regionally authentic, homestyle variety that is probably best pursued in Italy (but of course).
Long time, no new content...THANKS FOR YOUR PATIENCE! So despite my strong dislike for writing long posts with a bunch of random tasting notes, here is one such entry below. Occasionally, unique wines do merit my putting down the most boring, gray area prone, self indulgent of all prose known to man, wine tasting notes. Hope you enjoy reading.

Massa Vecchia Bia
Another wine that I don't enjoy. If I've lost points with the geeky Italophiles out there, that's just too bad. I apparently don't think dig these Massa Vecchia wines that much. The red was more enjoyable than this one, which had a weird, Brett and wild yeast geuze style savor to it. The Cantillon geuze of sparkling wines. I'd give you more info but the Dressner website links to the Ca de Nocci above when I drag my mouse over the Massa Vecchia link.

OK, whew...this took a good while to get up here. Busy at work, tired at home, and thus the delay in getting these up. Good wines, though, take a while to learn how to make. And so it follows that their descriptions sometimes take a while to post. Anyway, hope you enjoyed reading, and that you might find something new and exciting to try if some of these are available in a shop near you.

Two very different days of tasting wine - USA and ARGENTINA; FRANCE and ITALY

On Tuesday, I tasted around 50 wines at work. I thought 10 of them tasted ok. Two of them I might buy with my own money. It was a day spent tasting mainly California wines, with about ten Argentinean wines as well, so I guess I'm not surprised that I disliked most of the wines. I've noticed that many of my colleagues who sell wine retail and in restaurants, especially the under 40 year-old set (though not by any means limited to these folks) overwhelmingly prefer European wines to Californian, Washington, Oregon and other new world regions. Furthermore, most wine drinkers I talk to who have been drinking wine for a while often tell me that they gradually have grown to prefer European wines to their new world counterparts. That does not bode particularly well for new world wine regions, don't you think? Especially if more people continue selling what they actually like and think is good, not what they think their customers will think is good.

Of the 50 wines I tasted, there were six by Paul Hobbs, each of them truly awful, and unimaginable with any sort of food. What's up with Americans' unsatiable thirst for these crappy wines? Subject for a future post, perhaps.

One of the two wines that I really liked was the 2006 Unti Petit Freres (90% Grenache, Syrah) which tasted of dark fruit, fully dry, and unmarred by overripeness or new oak. No surprises here given that, if memory serves, they ferment with indigenous yeast in tank, with aging in used oak foudres The other one was a Pinot Noir from Hirsch's Bohan Dillon vineyard in the Sonoma coast. While CA pinot is generally not my tipple of choice, this wine was bright and lively, crunchy red fruits with good acidity and even a touch of minerality.

Now on to a different day of tasting, the day before this one, on my day off. It was a small Dressner tasting, basically a line-up of wines that are not represented by our CA distributor and are available direct from Mr. Dressner in New York. Of the 19 wines, I really liked 14, a markedly higher percentage than the day of tasting mentioned above. Granted, Joe Dressner has a pretty mean palate and imports good stuff, but I think you can readily see the contrast between these two days of tasting. Chances are, if you are reading this then you know what I'm saying and find yourself feeling similarly inclined, but I welcome any and all contrarians to state their wine preferences.

More detailed notes to come on the Dressner wines.

Theise '07 German/Austrian Tasting - West Coast Edition

This is far from thorough. I still would like to put down a few thoughts on the wines and the vintage, with many gaping holes since I came far from tasting everything. For instance, I didn't taste any reds because I didn't feel like it. The fact that I tasted as many of these in the middle of a day off while, still trying to catch up from being away for a few weeks, re-confirmed both my choice of profession and my tolerance for tooth enamel punishment. It's a Terry Theise tasting though; so of course I wouldn't think of missing it. Terry's work is the reason why I have had the chance to taste such a variety of wines from Germany and Austria without travelling to either country. It could have just as easily been Rudi Wiest, but I sold Terry's wine back in the day, and besides Rudi's wines are tougher to find around Baltimore and DC where my formative drinking years took place.

Germany first. I really like the acidity of 2007. In many cases it is in terrific balance with fruit and sugar, and in my favorite wines there is a real crackle to the acidity, more so than in '06 or '05, which I would describe as juicier and maybe a touch less malic? That being said, there were some wines which were missing the power and richness of '06 and '05, or the prettiness and detailed minerality of '02. Overall it seemed like a better than average vintage - enjoyable wines where the peaks, from what I tasted anyway, were Rheingau trocken wines and Donnhoff. Favorites included Leitz's Eins Zwei 3 Dry Riesling (a dry fruit cocktail nose with intense mouthfilling fruits), the Rudeshmeimer Berg Kaisensteinfel Alte Reben (more austere, mineral, detailed, lime, tough to pin-point fruits) and a Toni Jost Bacharacher Hahn Kabinett (does Burt know that he has a village named after him?) that for some reason really impressed. It was a bright, lively combo of tropicality, some leesiness and tasty acidity to cut through it all. Of course the Willi Schaefer wines were great - I prefer Graacher Himmelreich to the Domprobst for its brighter, lighter, less smoky character. Christoffel...I wanted to like these wines more. Part of the problem is that they are so candied and sweet when young, which is usually fine because there is this amazing intensity of flavor. And I probably am missing something here, but I just did not care for them as much as I have the past two vintages.

Now Austria. Only tasted some gruner veltliner and a few assorted others, no riesling. '07 was meh, at least for gruner veltliner, especially following '06. Gobelsburg and Schrock still terrrific, my favorites being the Gobe Gruner Veltliner Steinsetz (bright, citric, clean, mineral for days) and Heidi Schrock's Furmint (explosive tart orange, almost like a bright racy tocai friulano). Nigl - surprisingly disappointing. Salomon Undhof - consistently good and solid value. My wine of the tasting (German or Austrian) was the '93 Gruner Veltliner Vinothek from Nikolaihof (Austria's first biodynamic winery, since '89 I believe). It had ripe citrus and plenty of creamy lees on the nose, with a soft, caressing, intense palate. I was so excited by the wine that I told Nikolas Saahs that it would probably prove to be, in my opinion, the wine of the day - yes I was one of 'those' people I'm embarrassed to say, but such was my level of excitement with the wine.

That's it, for now, there's dinner to prep.